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Dreams of Gold
The format consisted of a slide show presentation, incorporating photographs, maps, and text, accompanied by a dual audio component that included both recorded segments of the interviews and approximately ten live presenters. The show was organized by the topics of Family, Faith, Community, Progress, and Identity, and its underlying purpose was articulated with precision:
The community was not at a loss for answers to these questions, and the Committee's humanistic perspective proved a useful tool in linking the varied responses. According to the grant proposal, "in 1885 there were seven Italian immigrants in the city of Fitchburg. At the time of the 1990 census, 13-18 percent of the population of Fitchburg-Leominster area was of Italian descent." Working from census figures, baptismal records from area churches, and city directories, and in cooperation with members of local Italian-American organizations, project personnel interviewed 45 people and collected hundreds of photographs. Many aspects of the changes in the communities' quotidian life were chronicled, starting with the neighborhoods themselves: "the Patch" in Fitchburg and Leominster's Lincoln Terrace. Previously populated by the Irish and the As the presentation focused on these two Italian communities, the broader scope of the twentieth century immigrant experience remained in clear view. Personal stories were retold within a socio-historical context. For example, recounting a playground rumble at his Irish/Italian elementary school, a man remembers his father's advice on standing up to a group of bullying Irish kids: "You go tell them you're no wop you're the skinny little guinea with the ravioli eyes!" The story poignantly reflects on the politics of language, and the re-appropriation of racial slurs as a small but demonstrable victory on the immigrants' journey towards class ascension. This is but one example of the deeply humanistic issues Sogni d'Oro put under the microscope. A wide range of societal themes were explored throughout the presentation, including the role of the entrepreneurial spirit, from communalism to individualism; progress and loss (do financial gains compensate for the cultural losses of traditional language, food, and other familial focal points?) and the differing notions of ethnic heritage: pride and shame. The list goes on, as it should when the subject of investigation is as expansive as this one. As project director Mary Chapin Durling reported to the Foundation in July, the Sogni d'Oro project continues to evolve, due in no small part to the community's enthusiastic engagement. Many audience members have contacted the Committee since the May 11th presentation with thanks, praise, and suggestions for improvement. Several people felt that important themes were not sufficiently explored, such as the complexity of the first generations' wartime experience. In response to the unexpected amount of feedback, Durling and the Oral History Committee have broadened their plans and are now producing not a CD, but a CD-ROM and a VHS cassette, both of which will incorporate the visual aspects so essential to the May 11th presentation's success. Once completed, both formats will be available at Fitchburg State College's Library.
In other developments, the Committee has scheduled a presentation for the joint meeting of the Leominster and Fitchburg Sons of Italy Lodges to take place on November 12th at the Leominster Italian Center. Durling also hopes to make the program available to area historical societies. Project humanist J. Michael Moore has plans to establish a Sogni website, with hopes that it may be used both as a research and a curriculum development tool. The Fitchburg-Leominster area remains energized by Sogni d'Oro's undertaking. La Banda Regione d'Italia, originally formed in 1910 and today known as the Leominster Colonial Band, performed an all-Italian music program on July 23rd at The Italian Center in Leominster. Segments of the concert may be included on the Sogni website. The Leominster Credit Union, with a long history of patronage from the Italian-American community, has also contacted the Oral History Committee with plans to contribute to the project. In many respects, Sogni d'Oro: Dreams of Gold has surpassed its own goals, establishing a public dialogue, rallying community involvement, and bringing research and ideas to life. (published Mass Humanities - Fall 2002) |
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